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yeah. so, the reason we’re not spending hollywood money is we’re trying to spend it in places where it’ll be worth it. and we have the background story, so we can actually develop that background story in our spare time, and spend that money where it will pay off. but, like i said, we’re going to put extra time and effort into it. we’re going to do some more research on how to do things, and how to make good use of our resources, and how to make it exciting. in general, we’re going to make things more interesting, and we’re going to put our own voices in it, and we’re going to put our own ideas in it, and just make something we want to play, rather than something we think people will want to play. and that’s going to be a lot of fun.
it was something that came from me as the animator. we wanted to have an ending where the princess would be getting sick and you could make a choice to go get her medicine and make it to the end of the game. but by the time we got it to the programmers, it was, how do we still make this look like a cute game? how do we still make this look like a platformer but make it look like it’s fun? penguin adventure was the right place to start, because it was not necessarily a game that you could play. it was more like, how do we make a cute game? we have to go back to that. i like the little point-and-click games. i’m a big fan of things like maniac mansionand sam & max, where you’re doing something and you’re not necessarily trying to kill the enemy. as an animator, i like a game that doesn’t necessarily make you want to kill everything that you see, but instead make you want to go around looking for more stuff. i think the sam & max games have that. it’s funny. here are these games where it’s about, how do i beat the game? how do i escape? in a game that’s really focused on the characters and not necessarily the gameplay, what’s it like? how is it? as we were developing the penguin adventure game, we realized we’d just made another one. we’re like, yes, we’ve got a cute story. the gameplay is going to be fun, but it’s not really in the genre. what we want to do is turn this into a platformer, make it a little more exciting, and make it fun. it’s one of the first things i remember playing, i just wanted to keep on playing. it was just a great game. it’s funny, i’m not a big platformer player, but i really liked it, and it still holds up. it still feels like it’s a cute game. it’s very playable and fun. i think it’s a great game.
it’s great to make something that we all really love, and it’s also great to be a part of something that the community really enjoys. it’s very gratifying to know that people get it, and we can have this kind of conversation and be like, we’re really happy with this game and this game’s really good. the first time that i really loved the game was on a weekend where i had a few friends over and i played through the dinner. i played through the dinner like five times. it was like, all right, this is the best game ever. i’ve never played a game that i love so much and i’m not sure i’ve played anything as good as this. i really love that. that really triggered a lot of my feelings about this game. i get to make this game and i love it.
i think that’s the magic of sam & max, that you get to make it and you love it. i love being able to make games, and it’s a beautiful thing. i think everybody should love what they do. i think making games is way more exciting than making a movie.
carmack: right. we do. it’s really cool to be in that situation. it’s like, that’s really fun. i think it’s good for me. i think it’s a lot of things. it’s fun, but you’re also kind of a jack-of-all-trades. it’s really nice to have that kind of a set of skills. it’s also a little bit of pressure, but it’s a good pressure. it’s like, how do i turn this into something that i can stand by?
it’s been a busy year for telltale games. just over a year ago, principals dan connors, kevin bruner, and troy molander left lucasarts and formed their own independent team. since then they’ve hired a slew of talented people, released their first bone game, acquired the much sought-after sam & max license, and begun developing a csi sequel on the sly. what’s next for this ambitious outfit dan connors and kevin bruner took time out of their cram-packed schedules to dish the dirt on telltale’s projectspast, present, and future. they also surprised us with some concept art from the next bone game, the great cow race as well as the first screenshot!
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